Number 42 in an occasional series of reviews of my favourite 80s 12″ records.
The fourth single from the Soft Cell boys, and a love letter from Marc Almond to all those songstresses in seedy bars from the 50s and 60s. The extended version takes the single mix and adds on a superb, seemingly touching rap exchange with the guy’s dealer in New York, a certain Cindy Ecstacy. The track reached number 2 in the UK singles charts. Originally intended to a double-A side single with Insecure Me.
Top 50 12 Inches of the 80s What's it all about?
Inspired by all the lists you see on FaceBook saying “Post your favourite albums, but don’t say anything about them…” I thought, hell I’m gonna say a bit about them and why they’re special. As a general rule I have chosen particular extended vinyl versions of the tracks for various reasons, amongst them they extend the length I can listen to them, and they often add extra ambience to the Radio Friendly 7″ version.
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Top 50 12″ Mixes of the 80s – Full list
Legendary US record producer Tom Moulton was probably one of the prime movers in developing 12-inch releases, he had discovered that the 12-inch had vastly superior sound quality, producing grooves perfect for the discotheque. It was music for hedonistic dancers – for metronomic beats, fewer vocals, stripped back instrumentation, slow-fading echo effects, sustains, slow builds in pace and intensity to maximum peaks.
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